These are a few of the watercolors I've done recently. The portrait of the engineer with the soot on his face was done from a black and white picture in a book on railroading; color is mine. I pretty much just started with washes of color and drew as I painted. I really love doing portraits and it usually comes pretty easy for me. The industrial scenes were done with little drawing; I trust myself to get that right as I work. The bluish scene was done on watercolor paper prepared with gesso. The photograph was taken at the Waterworks show which is currently at the August House Gallery in Chicago. My teacher Ed Hinkley is at the left, my son in the center and I'm at the right. Some call me "Slim" -- not sure if I look it there -- gotta do something about that. Maybe dragging my easel outside up and down a few hills will take care of that. Ed has inspired me to work in different ways. He has a great imagination and work ethic and has encouraged me to expand my horizons.
Friday, May 11, 2007
Recent work on paper
These are a few of the watercolors I've done recently. The portrait of the engineer with the soot on his face was done from a black and white picture in a book on railroading; color is mine. I pretty much just started with washes of color and drew as I painted. I really love doing portraits and it usually comes pretty easy for me. The industrial scenes were done with little drawing; I trust myself to get that right as I work. The bluish scene was done on watercolor paper prepared with gesso. The photograph was taken at the Waterworks show which is currently at the August House Gallery in Chicago. My teacher Ed Hinkley is at the left, my son in the center and I'm at the right. Some call me "Slim" -- not sure if I look it there -- gotta do something about that. Maybe dragging my easel outside up and down a few hills will take care of that. Ed has inspired me to work in different ways. He has a great imagination and work ethic and has encouraged me to expand my horizons.
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