I entered these three pencil (8B graphite for those of you who have to know everything)drawings in a show and had all three accepted. Ever wonder how things are chosen? For example, sometimes you enter three or four and only two are accepted -- why? Sometimes it's a very popular show and many artists enter and they will only give you space for two of yours. In this case, this show is not as popular as the one I am in now (I got 3 of 4 accepted in that one) and with less entrants I got them all in. So if you don't get any in don't always think it's that you aren't good enough. The gallery will probably give space to their regulars and you may be unknown to them and get turned away. Hey, it's happened to me.
About these works: Farmer's Bank, about 15" X 15" was done from a photo. I just immediately saw this as a black and white work rather than an oil painting. I found this in Smith's Grove, Kentucky as I also did the middle painting, Old Barn. I just didn't know what else to call it --- I don't think it was a tobacco barn, but it isn't the traditional cow or horse barn. I was not able to get close to it, so a photo had to suffice. The last work was a train station still in use located in Coumbus, Wisconsin. You may never have heard of Columbus, Wisconsin, but once upon a time there was a large brewery there with the owner's mansion also. The train station was built in 1907. I was coming home from Minnesota early one morning and remembered seeing this station. I drove up and the shadows over the tracks made the look of the painting.
Here's another issue: what does the artist see in a scene that make the artist want to paint or draw it? Usually for me it is the color and what will eventually be the interesting brushwork I will use to set the scene off. In this case it was the contrast of the dark shadows setting off the bright sun on the building. Actually, working on those shadows on the grass and rails was much more interesting than the building itself. Yes, sometimes it is the building -- I've done several -- I like the look of old stations, houses and commercial buildings of the past. (Secret life of the Artist)